I will be running a NJO original module at the Cinefest MiniCon this Saturday, Sept 25th. Join me for "Centerpoint of Action." Also, they have the designer of Feng Shui as a guest. He'll be improvising a game at the Con. Check it out. Here's the skinny on the MiniCon.
Date: Saturday September 25th
Time: 8:30 am till midnight
Location: Rockwell Halls 3rd floor. Cinema gamefest HQ will be in room 305
Rockwell hall is located on Buffalo States Campus the address is
1300 Elmwood Ave
Buffalo NY 14222
Events:
We'll be showing movies all day in the HQ room and we'll have our growing library of games from CRAGG's (that's buff states gaming club) and my collection. A large number of roll playing games will be offered themed to the movies you've loved over the years by some of the best GM's the BGS has to offer. The best part is all the gaming goodness and the movies are free and if your hungry we'll be having breakfast, lunch, and dinner for the lowest costs we can.
To register for the events and to let us know your coming head on over too http://www.warhorn.ne...
In my last entry, I discussed changes I made to the first scenes of my House of Wookiees campaign, thanks to the skill challenge rules presented in Galaxy of Intrigue. I’d like to continue that discussion. Only this time, I want to show you how I improved the same encounters with rules presented in Unknown Regions.
Hazards.
For the first skill challenge/encounter, the heroes are in a bombed observatory trying to climb to the portal where the telescope had peeked through the domed roof. The PCs make their way to the roof, dodging the Imperial jumptroopers who emerge from the stairwell. As I worked on revising this encounter, I strongly considered tinkering with the insanely complicated rules I’d concocted concerning the cracked holoprojector display, which fills the observatory with refracted images of the Alliance orientation video. The broken holodisplay would make it difficult to determine reality from recording. In my first draft, this is how the rules worked:
House of Holos
The broken holoprojectors make it tricky to get around the observatory. The characters will have a difficult time recognizing what is real and what are refracted recordings.
The holoprojector shows each scene for three rounds before cutting to the next. When a character tries to make a perception roll looking in a direction, he takes a -10 penalty from discombobulation caused by the refracted hologram. Each round after the holovideo scene change, during which the character keeps looking in the same direction, the PC’s perception penalty decreases by five. This reflects the PC separating reality from the recording. As soon as the character looks a different direction, he returns to a -10 perception penalty. Other penalties may apply during specific scenes, as described below.
All the holograms affect the lower story of the dome. Once the PCs get past the first three catwalks on their way to the portal, the hologram penalties no longer apply. The exception to this is the scene showing the Star Destroyer blasting the refugee transport. This scene fills the entire dome and affects the upper level of the dome as well as the lower level.
The PCs may locate the holoprojectors (perception DC 15) and break them (ref def 12 2hp) to eliminate the refracted images.
PCs with the Use the Force skill can separate illusion from reality with a UTF check of DC10.
Scenes in the orientation holovideo; each scene lasts 3 combat rounds.
The PCs see a city street. A teenage human male stands between an Imperial officer and his mother. She clings deathly tight to her baby. The teen tries to shove the trooper back. The officer holds his ground and breaks the teen’s nose with his blaster. He follows up by shooting the mother in the head. Another stormtrooper kicks the baby beneath a passing troop transport.
A stormtrooper casually tosses a thermal detonator into a school. As burning children run screaming from the building, a stormtrooper squad competes to see who can mow them down fastest. PCs suffer an additional +5 perception penalty because the holographic fire creates concealment for anyone standing in the midst of the scene. Also, since there are many troopers in the video, targeting or identifying a jumptrooper from a virtual trooper incurs an additional -10 penalty.
Humans flee across a mighty bridge. An AT-ST rounds the corner and clears traffic with its blasters. Bodies and landspeeders fly off the bridge and into the river far below. The last round of this scene creates an additional -10 perception penalty because of fire and smoke.
In a cantina, a group of senior citizens barricade themselves behind the doors. The fridge and piled furniture separate them from the stormtroopers outside. A small window shatters, and the bar fills with fire. For the first two rounds of this scene, there is an additional -5 difficulty identifying holographic images of the cantina from the observatory’s fixtures. The third round is filled with fire, so perception is hampered by -15.
The scene shows an outside view of an Inner Core city hall. The city’s leaders have their hands tied behind their backs. Stormtroopers shove them towards the town hall. Troopers fire over their heads to startle the captives into a sprint. Once the people disappear into the civic building, a TIE bomber drops its payload on the site. For the first two rounds, identifying commandos from “holo” troopers causes a -5 perception penalty. When the bombs fall, the image swings around violently as the holographer runs away. Everyone needs to make a willpower roll DC 15 to avoid dropping one step down the condition track as the result of motion sickness.
Transports plow dead bodies into a bantha pen.
A fleeing transport is run down by a Star Destroyer and disintegrated in a hail fire of turbolaser bolts. Everyone needs to make a willpower roll DC 10 to avoid being startled by the Destroyer’s appearance. Failure moves the character two steps down the condition track. Characters on a catwalk who fail this roll need to make a reflex roll DC10 to avoid tumbling off the catwalk.
This was for the first encounter of the campaign. I think I would have scared most rookie GMs away. It gives me a headache to read it.
Using the guidelines found in Unknown Regions, the funhouse effect of the cracked holovid lens could be turned into a simple hazard.
House of Holos Hazard CL 1
Description: The cracked holovid lens causes the displayed images to be replicated in three places throughout the observatory’s lower level. This causes anyone looking directly at it to possibly confuse what’s real and what is holographic imagery.
Keywords: Optical, Mind-effecting
Attack + 3 vs Willpower
Damage: If the attack is successful, the target suffers -5 to attacks and any skill check the GM deems to require precise visual concentration. For example, Acrobatics skill checks would suffer a -5 penalty because performing acrobatics requires knowing the precise location of walls, floor and obstacles. Persuasion checks would not be affected because it does not require precise understanding of what is real and what is virtual in the room. A target cannot be affected multiple times.
Trigger: At the start of initiative, the Hazard attacks all PCs looking into the affected area.
Recurrence: The Hazard attacks at the start of each round of initiative.
Skills:
Perception: DC 14: As a full round action, the PC studies the area. On a successful skill check, the PC is immune to the hazard’s attacks for three rounds.
Use the Force: DC 14: As a standard action, the PC reaches with the Force to filter out the illusion from the reality. On a successful check, the PC is immune to the Hazard’s attacks for 3 rounds.
Oh my, this simplifies things and keeps the spirit of the Hazard alive. I think the best part of the Hazard construct is that it affects the jumptroopers as well as the PCs, creating fascinating possibilities of how this encounter might go down.
I lied. The best part about this Hazard is that I don’t get a headache from reading it.
It could be argued everything would be much simpler if I had just deleted the entire thing and kept the encounter simple. The problem with that is Star Wars is not about simple encounters. It’s a pulp movie, a space opera. It’s about taking things to extremes. If Vader and Luke confronted each other for the first time in one of Cloud City’s hallways instead of in the carbon freezing chamber and then on catwalks over massive pits, the scene would have lost a lot of its flavor. The obstacles helped make the scene cool.
A WOTC forum poster called this the Spielburgian method. “I do like to use the Spielburgian method of escalating action scenes - he often throws in one or more environmental factors into an action scene, which helps to build the task load for the heroes to a crescendo as the scene unfolds (though they often provide opportunities and new resources for the players too).”
If you’re like me and tend to overcomplicate things in your games, the Hazards guidelines are a great way to take some of the headache out of GMing. If your encounters lack the Star Wars flair, then crack the holovideo display, add a bottomless pit, and listen to your players groan, “I’ve got a bad feeling about this.”
But they will have a childlike grin on their faces.
I was asked to provide play-by-play of the skill challenge I built into the opening House of Wookiees encounter. I can’t as I haven’t run the encounter since adding the skill challenge. However, last Friday my gaming group had two fun skill challenges. For the last couple of sessions, I ran modules as a break from the campaign’s main plot. Friday’s module was adapted from the Living Force adventure “Coruscani Dawn.”
Backstory:
The PCs have been helping Mace Windu rescue captured Jedi. You read that correctly. In my campaign, Mace barely survived the fall from Palpatine’s window, and after years of healing and cybernetic surgery, he helped Senator Organa and others hide Jedi from the Empire’s wrath. The story begins with Mace finding seven Mandalorian iron boxes, sealed by Sith alchemy. They cannot be destroyed or opened without rare equipment and a ritual. Mace has a contact on Coruscant to help him open the boxes, which supposedly hold pieces of an ancient city built with the power of the dark side. Another box holds a powerful Sith artifact. When Mace walks out of the Sith temple with these boxes, a dark Jedi cult catches wind of what Master Windu found, and they attack. The Empire also discovers the artifacts have resurfaced and sends agents after them. Mace decides to separate the boxes and have a trusted transport crew each deliver a single box from Cularin to Coruscant. Hopefully, this will confuse the cult and Empire, and the boxes will get to their destination. Of course, the PCs are entrusted with a box.
There are only a couple of routes out of the Cularin system because of surrounding asteroid and comet belts. The PCs decided not to blaze their own trail through the asteroids and comets and to stick to the narrow, crowded space lane. Suddenly, their ship lurched as a Barloz transport tried to force its way past. The com crackled to life as the Barloz transport taunted the PCs. “Is that you, Grandma? I’m in a hurry, Granny. I’m on an important top secret mission. Yee-haw!”
“This is Jek Porkins of the Bantha Ribs Buffet. I ain’t got time to chit-chat. Move it, or I’ll move you into that asteroid field.”
The module reads, “A hotshot pilot who goes this way is really going to have to give his ion engine all its got to avoid being caught at the rear of the pack, and if he manages to make it to the front, he finds himself racing another pilot for the far side of the comet cloud. If they really want to race, utilize the Generic Pilot from the rule book. Kindly remind the players it is one of their allies, and it is bad form to shoot their allies. If they end up stuck in traffic, gloss over this section.”
Well, that sounds like it involves a couple of pilot rolls, and the other players can twiddle their thumbs in boredom. A skill challenge keeps everyone involved. On the Order 66 Podcast forums I’d seen the stats for Jek Porkins, a fave from the movies. I wanted a lot of cameos in this module, so I chose to use him.
Who’s Who:
Before I go into the play-by-play. Here are the characters’ names and a brief summary.
Mac El Guapo is a middle-aged human scoundrel. He serves as the party’s sniper. Recently, he died in a battle with some dark Jedi. Mysteriously, he woke up from the dead, Force sensitive and tainted by the dark side. He’s also haunted by a Force spirit who wants Mac to atone and learn the ways of the Force.
Shaler is a human fugitive Jedi. He’s been getting by in the Galaxy as an information broker and freelance pilot.
Ssoy is our resident Gungan brawler. This Gungan has gone up against Gammoreans and even successfully grappled a hydra.
Winston, a teenage Rodian soldier, loves demolitions, destruction and big guns.
Garrett (moi) is their lucky GM.
GM: So, are you going to let Porkins past, or are you going to take him on?
Shaler & Ssoy: We’re going to kick his butt.
GM: Great. You’ve entered a [fanfare] skill challenge.
The players groan. This is a natural reaction to a skill challenge announcement.
GM: This is Complexity one, which means you need only three successes to accomplish it. But we’re using the antagonist special effect… which means you don’t have to worry about the skill challenge ending when you blow three skill checks. Instead, the skill challenge ends if Porkins gets three successes before you do. Does this make sense?
[Crickets chirp.]
GM: Everyone clear on how this works?
Winston, Mac, Ssoy and Shaler mutter something affirmative.
GM: Good. What other fun rules do we have this challenge? You have the Second Effort effect. That means, if you blow a skill check, you can still make it count as a success… however, your spaceship will drop a step down the condition track.
Mac: I have a bad feeling about this.
GM: That’s nice, Mac. Five points. [I award five xp for every clever line of dialogue that amuses me. A key element of a Star Wars story is witty writing.] Now, there is also a skill use limit. Only one of you can make a Pilot skill check… at least until everyone else has had a turn at making a skill check. Keep in mind a lot of the skills, including the Knowledge skills… if you use them successfully, they’ll give the driver a bonus on his Pilot check. So, you may want to hold off making that Pilot check until everyone has had a chance to do things that can give you bonuses on your flying.
Shaler: I get it. Okay, I want to make a Use Computer check to look into BoSS records to see if I can learn anything about this Porkins and his ship.
[Shaler is an established infochant and should be able to get to these records. Someone who has never tried to gain access to government records of this type would have a much more difficult time… and would probably need to spend several rounds on this attempt.]
He rolls and gets a 23. The predetermined Use Computer DC was 17. Success number one.
GM: The Bantha Ribs Buffet is not a registered ship, and the transponder information you are receiving from the ship is a fraud. You do find info on Jek Porkins. He’s wanted for making raids on Imperial convoys.
Shaler: So he’s probably on our side, delivering a box for Master Windu. We better not destroy him.
Ssoy: I’d like to make a Knowledge: Technology check to identify the kind of ship Porkins is flying… and figure out any weaknesses we can exploit.
GM: Great idea. Make a roll.
He rolls a 19, better than the predetermined DC 17. Success number two.
GM: It is a Barloz-class transport. [I pull up information and a picture on Wookieepedia]. Here’s something you can exploit… it has better engines for speed but is nowhere near as maneuverable as your YT-2400. [I have to confess I didn’t compare stats. I just made this information up. Honestly, I didn’t see any benefit to stalling the game so I could do a thorough comparison between the two ships].
Winston: Looks like a fish, moves like a fish, steers like a cow. I want to set it up so our ship dumps its trash and some spare parts into Porkins’s path… so he’ll be pinned between our ship, the trash and the asteroids.
GM: Interesting. I guess you’ll need to make a Mechanics skill check.
Winston rolls. He gets a 15. The Mechanics skill check is DC 17. I grit my teeth.
GM: Winston, do you think you should use a Force point?
Winston: I’m not letting him get ahead of us.
Winston rolls a Force die and gets a new total of 18. Success.
GM: Great. Toiletries, cables and waste from the refresher spews out the back of the ship, also managing to gross out Porkins.
I roll Porkins’s Pilot check as a reaction. He gets a 21, better than Winston’s 18.
GM: Porkins pulls his Barloz out of the way of the waste and narrowly rounds a medium-size asteroid. By the time he returns to the spaceway, you are clear of the asteroid belt and can make your jump to hyperspace, leaving Porkins in the dust.
Ssoy: That is a cool ship. I’m going to spend the time in hyperspace trying to find a good deal on a used Barloz.
This skill challenge was only CL 6. Most of the players are 7th and 8th level. This shouldn’t be a challenge they throw too many Force and destiny points into. It is just a fun little bit of flavor and team-building exercise before the main plot kicks into gear.
Porkins was only going to get a turn after each of the PCs went, so the odds were really good the PCs were going to beat him at this skill challenge. If the dice really failed the PCs, Porkins would have shoved past the PCs and sent them spiraling at an asteroid. I would randomly determine what systems went bust in the crash. The PCs might spend time fixing the ship, or they might go on without making the repairs. I believe the cost of failure for a minor skill challenge, as this one was, should be minor time and resources lost. They would fall behind on the mission, having to fix the ship. Plus, they would consume physical resources to patch the ship together. They might even have to pay someone to repair the ship back at Cularin or on Coruscant. This is nothing like the heroes losing limbs and catching on fire or having to face Darth Vader himself as a cost for failure. Those kinds of things are appropriate for high-importance skill challenges.
The second skill challenge took place after the PCs landed on Coruscant. They noticed blaster fire on a landing pad a couple hundred meters away. After looking at the ship through macrobinoculars, the PCs realized they had seen the ship leaving Cularin with them. It took a bit of convincing from the PCs’ Coruscani contact, Juno Eclipse, to go over to the scene of the blaster fight and find out if the Mandalorian iron box was still in the crew’s custody. It was not. A group of humans in black skin-tight clothing had ambushed the crew. A human female had been the first out of the ship. She was shot from behind and fell off the platform. A Wookiee was knocked unconscious with stun weapons. A Jedi who was traveling with the group was shot dead. Luckily, another crew member had been resourceful enough to fire a homing beacon onto the raiders’ speeder. The PCs took the receiver, climbed aboard a transport and gave chase, following the thieves into the lower levels of Coruscant.
The original module reads, “There is no good traffic lane leading down, in part because very few people want to go to the Undercity. It’s therefore a little tricky to dodge the other ships in the upper levels. This should be done via description, not dice-rolling.”
I think it is a lot more fun to give the PCs control over their plummet into the Undercity.
GM: All right, you’re racing at top speed, weaving through traffic coming at you from every direction and not seeming to care you’re there. Sounds like another skill challenge. Hooray. Who is piloting?
Ssoy: That would be me.
GM: Just like the last skill challenge, certain skills, including Knowledge checks can give bonuses to your piloting check, so you may want to hold off on doing that until the others act.
Ssoy: No problem.
GM: First, some rules. We have Catastrophic failure. Miss a skill check by ten or more, you get two failures for the price of one. Ouch. We have Recovery. Make a check by five or more, and you can cash in that success to erase a failure. Finally, we have the Degenerating special effect. When you get a success, the DCs drop by five. When you get a failure, they go up by five. Who wants to start the madness?
Shaler: I have the receiver, so I’ll make a Use Computer check to figure out how close they are.
GM: Great idea. Make a Use Computer check.
Shaler rolls. He gets a 20. I grit my teeth.
GM: Shaler, how do you feel about using a Force point?
Shaler: I feel pretty good about that.
Shaler rolls his Force point and gets a new total of 23. He just makes it.
GM: A Force point very well spent. There’s total chaos on the receiver, from all the electronic signs and tons of comlinks and passing vehicles with every conceivable electronic device adding to the cacophony of electric noise. But you are able to determine the thieves are not horribly far ahead. They’re down a ways and to the left.
Shaler: I relay that info.
Mac: I guess I’ll make a Perception check to try and eyeball the enemy speeder.
GM: That makes sense. With Shaler’s success, the DC is a little easier, which makes sense, since you know where to be looking.
Mac rolls a 21. He makes the check.
GM: They aren’t being too subtle, flying around every vehicle in their path… and the other drivers are sounding horns at them. You catch a glimpse of their speeder before it disappears behind a droid towing an abandoned speeder.
Ssoy: I’ll make a Piloting check to catch up to those guys.
Ssoy rolls a natural one on his d20. This is a critical failure in my games.
Ssoy: Oh no. A Force point won’t help, will it?
GM: I wouldn’t spend one if I was you.
Ssoy: Darn.
GM: Shaler is yelling, “They’re ahead to the left.” Mac is practically turning your neck for you to where they are. Too bad you were distracted. You fly right through a billboard. Crackle. Crackle. Crash. A cut out of an R2 wearing a chef’s hat, advertising Dexter’s Diner, winds up plastered against your windshield. It’s cute, but it isn’t helping you drive. The speeder also moves a step down the condition track. And hey look… that was a catastrophic failure. You get two failures.
Winston: Let me through. I’ll make a Mechanics check to fix the speeder.
GM: A wise move. Make a roll.
Winston rolls a 22. With the -5 to the DC from the two successes and single failure, he is successful.
GM: The engine sounds like it ate some of that droid’s cooking and is about to either die or vomit. You mess with some controls under the dash. For a moment, it sounds like the engine is dying, as the clunks become softer and fewer between. Then, the speeder rockets forward, and the engine purrs better than ever. Congrats. That’s three successes. You win. But the other speeder… there’s a bright flash as the speeder you were following plows into a walkway a hundred meters beneath you and explodes.
Ssoy: Did the box get destroyed?
GM: You can’t tell right now. You can find out next session, as we continue “The House of Wookiees Campaign.”
Winston (played by my old lady, Mari): You and your cliffhangers.
If the PCs blew the challenge, they would have crashed also, taking 6d10 damage. This would not take out any of the characters but would put them at a big disadvantage for the rest of the adventure.
Note the higher DCs. This was a CL9 challenge. It was designed to be harder and make the heroes spend force and destiny points to avoid defeat. I consider it to be of medium importance, as far as the encounter is concerned, and I wanted to get across to the players how significant this chase was.
I hope this better explains the wonderful world of skill challenges. If you have any questions, please post them, and I will try to promptly respond. Below, I am posting all the notes I had and needed to run these skill challenges.
Race through the Asteroids Skill Challenge CL 6 Complexity 1
Setup: Several pilots are running boxes containing dark side artifacts to Coruscant. One pilot, Jek Porkins races the heroes out of the asteroids first.
Suggested Skills:
Deception: DC 17
Initiative: DC 20
Know Galactic Lore: 22
Know Phy Science 22
Know Tech 17
Know skills will give next pilot roll +2 bonus
Mechanics: 17 (with know tech) 22 without
Perception 17
Perusasion 17
Pilot 27
Use Comp 17
Use Force 17
Special fx
Antagonist: only get failure when Jek gets success
Restricted Skills: only one pilot check per initiative round
Second effort: move ship down cond track -1 to turn failure into success
To the Undercity skill challenge CL 9 Complexity 1
Winston, a teenage Rodian, sat uncomfortably in the plasma-like chair. He found it difficult to focus on the holovid program. Mon Mothma’s recorded voice detailed the history of the Alliance to Restore the Republic. There were so many odd beings around him… like the gray-haired noble in the dark cloak and the red-head human girl in the flight suit. Most frightening of all was the Wookiee. Its yellow eyes threatened to start trouble. If the Wook did, Winston would not back down.
Was it Winston’s nerves, or was there a rumbling? It didn’t seem to be coming from the holodisplay… although it wasn’t out of place with the graphic war footage showing the Kwymar Suppression.
Boom! Part of the roof collapsed. Winston sank into the heart of the plasma chair and floated helplessly as though encased in carbonite. Debris rained all around him, smashing the holoprojector… and most of Winston’s orientation class. The majestic telescope plummeted past Winston and vanished down the stairwell, taking out whole flights of stairs in the process. By the time Winston, the Wook, the noble and red-head forced themselves out of the impact-safe prototype chairs, Winston realized they were the only survivors. The Sarge was bent over backwards with the telescope’s mount impaling him through the chest.
More TIE bombers streaked across the sky visible through the elongated portal. What was that at the edge of the hole? A ladder? It was propped against a support beam now at a 45 degree angle, leaning against another beam, which vanished behind a computer bank. It was risky, though entirely possible to climb to the portal then the roof.
An annoying buzz filled the stairwell shaft in the center of the room, where the telescope had fallen and vanished. Winston blinked, staring downward. His mind swam among the refracted images surrounding him. The holoprojector lens had cracked and now, he looked through distorted views of the orientation video; what was real and what was part of Alliance History 101? He looked up to find himself surrounded by three different groups. Each one was comprised of an Imperial officer pulling a baby from its mother’s arms, then throwing the youngling beneath the wheels of an oncoming tracked transport.
Three black-armored troopers rocketed from the debris swirling in the stairwell. “Freeze!” the lead jumptrooper ordered as the other two raised their blaster rifles. Blue energy bursts fired from the barrels. The Wookiee howled and charged, intent to knock one of the jumptroopers down the stairwell. Unfortunately, he couldn’t get a grip on the jetpack-mounted Emperor’s minion.
The holovideo changed to show the interior of a cantina. A group of old men were blockading the door. Grenades flew through the windows and clattered to the floor like apples falling from a tree. All was consumed in fire. Winston raised his arm as if that would prevent him from getting burned, as if he really could get burned by the holovid. Blue blaster bolts streaked past him. That could really hurt him. He raised his blaster and put a hole in a trooper’s chestplate. The trooper fell backwards, vanishing down the stairwell.
“Get over here,” the red head ordered as she began to climb the computer bank. “Time to leave this party.”
**********************************
Imagine being the player running Winston or his companions. You struggle to make it from the observatory to the portal ladder dangling high above the duracrete floor. There is as much risk of being killed in this escape attempt as there is fighting the jumptroopers. You experience gripping moments as the red head slips and barely clings to the edge of the beam. You dive, sliding on your belly, arms outreached to catch the girl before she drops. The gray-haired man, you learn, was an engineer before he joined the Rebellion. He walks around the observatory, makes a couple of quick calculations on his datapad then instructs you and your cohorts to shove a toppled caf brewer between two support beams to gain a little more stability.
When you finally get through it all, as your green hands pull you up the ladder to the “safety” of the dome’s roof, are you going to be satisfied if the GM only gives you xp for defeating the jumptroopers?
I wouldn’t. But when I wrote the first scene of the House of Wookiees campaign, which the first part of this entry describes, I did just that. Back then, Galaxy of Intrigue wasn’t available, and I hadn’t yet played Dungeons and Dragons 4e.
When Winston and his companions fought their way out of the observatory at the unveiling of House of Wookiees, there still wasn’t Galaxy of Intrigue. During the inaugural session, the PCs made a dramatic series of climb checks on their way to the portal. There were a few by the skin of their teeth moments, but there wasn’t any inspired creative skill uses that serve as the cornerstone of a well-run skill challenge. No one tried to make a Use Computer check to move an overhead catwalk against one of the beams, securing the structure and making it easier to climb. No one made a Mechanics check to reinforce the beams.
Star Wars is about creative problem solving. Sometimes the heroes are successful, like when Han and Luke donned stormtrooper costumes and pretended to deliver Chewie to the detention block as part of a prisoner transfer. Sometimes they fail disastrously, like in the same scene when Han failed to deceive the security officers that “Everything is fine here”).
The other day I was reading Edge of Victory: Rebirth by Greg Keyes. He tickled me with his masterful understanding of Han and Leia’s dynamics. He really thrilled me with the creative solutions he provided his characters. For instance, the Falcon was floating powerless in space, having been yanked from hyperspace by a Vong warship. As Han worked to restore power, Anakin sealed 3PO in the cabin that had access to the waste removal tube. He ordered 3PO to physically push concussion missiles out the waste chute toward the massive Vong warship. Then, Anakin remotely detonated the missiles once they reached the target. Great thinking, kid!
As in the example above, skill challenges push players to think beyond obvious solutions. Using the observatory scenario, the easy to think of skill choices would be climb and jump. A great skill challenge will cause the players to stretch their creative muscles and hone in on their characters’ unique strengths.
In the movies, when there is combat, the characters play to their strengths. They don’t all pick up a blaster and hope to shoot better than the stormtroopers. Artoo is quick to find a computer port and shut doors on the enemy or open doors so his allies can make their escape. Leia provides covering fire for Artoo or other allies using noncombative skills in a combat encounter. Lando uses Deception to catch his enemies off guard, like when he orders the Wing Guard on Cloud City to ambush the stormtrooper patrol, or when he disguises himself as a guard in Jabba’s Palace and on the skiff over the sarlacc pit. Ben Kenobi preferred to use Stealth and Use the Force skill checks to go about the Death Star unnoticed to reach the tractor beam controls.
Here’s a non-Star Wars example. While playing Living Forgotten Realms, my character, Claethia the Bard, took part in a skill challenge where the goal was to catch the plague-ridden rats the mad man had set loose. I thought about my character. Was Claethia great at shishkabobbing them on a sword or arrow? Could she cast a sleeping spell? She was a bard. Bingo! “I want to do a Pied Piper,” I told my DM. I’m certain there weren’t any clarifications in the module about how to do this. We ended up treating it as a Persuasion check with some modifiers to account for the power of the bard. There were many great moments in the combat encounters that gaming session, but what I think a lot of players still remember about the game was the Pied Piper skill challenge.
The TIE bombers blast the observatory. Jumptroopers emerge from the stairwell. There’s a chase to the portal at the top of the observatory. The rebels scurry up beams and debris, all of which could collapse any moment. The way I rewrote this encounter, it will be much more exciting than a couple of Climb checks. It will challenge Wookiees to make astounding leaps and Mechanics checks to use their wits to prevent the whole thing from crashing down. Once everyone is finally safe on the roof… they will get well-earned xp.
September 4, I begin running the Dawn of Defiance Campaign for the Buffalo Gaming Society. I am a huge fan of using video to show cutaway scenes and to establish the mood, and as a reward for success. Here is the opening video for the campaign, as created by me.
In the Ghostbusters: Who Ya Gonna Call D20 Modern RPG book, Michael Tresca gives his take on finding appropriate adventure hooks for Ghostbusters. Read the tabloid headlines. Each headline is a potential adventure, combining absurdity with an ounce of horror or the supernatural. The same formula can be applied if you want to do a comic relief Star Wars mini adventure to break up the tension in your campaign’s main plot.
For the Corellian Diet Breakers adventure I wrote, I saw the tabloids ragging on Tom and a sad-looking Katie. I found myself thinking “those guys can’t get a divorce; it would financially destroy both of them.” Then, my mind went down that film noir dark alley. I thought, “What if they each hired someone to kill the other, so they’d inherit millions and get really good press for being a poor little widow/widower?”
So in the module, when the PCs visit a crime lord’s nightclub and are waiting to see the gangster, two of the PCs get dragged away respectively by my version of Katie (named Kat Hadz) and a henchman for the adventure’s Tom (called Chaz Barris). Both halves of the couple offer, “Kill my spouse in the next 15 minutes and I’ll activate this credit chip I’m giving you. Escape through a window in the backstage props room. There will be a speeder waiting.”
In playtesting, the mechanic-soldier turned down Kat’s offer, and the Mandalorian happily slipped Kat the poisoned cig.
The Tom-Katie encounter had nothing to do with the adventure’s main plot, but it allowed for character development, fleshed out the environment as far as celebrities and scandals are concerned and reinforced campaign themes about the elusiveness of good and bad, right and wrong – traditional film noir material. Plus, the players felt like they were not only interacting with Star Wars characters but roleplaying a bizarre situation with a flimsily transparent Tom and Katie.
Check out the latest antics of Jen Aniston, Lindsay Lohan and Nostradamus’s reinterpreted predictions. These people and issues are significant enough in our cultural consciousness to repeatedly appear on the front page of profitable publications. They must resonate with us for some reason. When you discover what their appeal is, you can transfer it into your game, where it will be equally fascinating or at least, good for a little vacation from high level intrigue.
Remember high school science class? Do you remember those lab experiments where you lost half a grade letter if you didn’t start your report with the words, “The purpose of this experiment is to determine…?” You blocked that nightmare out of your head? Sorry to dredge it up. Let’s use the old science class lab form to help create your next long form adventure or campaign. With the scientific method and the manner of thinking it dictates, you will create the crux of your campaign.
The key to the scientific method is to alter a single variable and compare the altered scenario against a control group, where everything is kept status quo. In game terms, the control group is the Star Wars movies and widely accepted canon (the Clone Wars tv show, various games, comics and books). What you’re going to do with your Star Wars experiment is alter one variable in the canon and determine how it affects everything else.
The purpose of this experiment is to determine what would happen if Force sensitive beings banded together as part of a traveling Galactic circus. This brainstorm was inspired by the last season of Heroes, where superpower endowed individuals hid in plain sight as carnies.
The first thing to consider is how this what-if scenario would affect the Galaxy or how the Galactic situation of each era would affect our what-if. For the Old Republic, the circus could be a hunting ground, where Jedi and Sith try to abduct or recruit new members from the pool of powerful Force users. Imagine contortionist Jedi or lightsaber swallowing Sith! Some circus people turn Sith, others Jedi, They would eventually square off against one another, as brother fought brother during the American Civil War. I would have the final showdown back at the circus.
For the Rise of the Empire era, Jedi could try to take the performers’ children to the Temple for training. The Jedi sent to gather the kids vanish. The PCs are sent to track down the missing and find out what happened. Are the Jedi still alive? Were they captured? Did they run away with the circus?
The Dark Times and Rebellion Eras present an interesting scenario for heroes helping hide Force sensitives, using the idea of the underground railroad. Maybe the heroes must help convince the performers to abandon their circus home, because Inquisitors are on the way. Some of the Force sensitives refuse to give up their community. The performers agree that if one stays, they all stay. The Force sensitives and PCs must confront the Inquisitors and troopers at the circus.
In the New Jedi Order era, Luke sends heroes to try and recruit Force sensitives to join the Jedi Academy. However, Vong operatives have infiltrated the circus, posing as freaks. As the circus moves from system to system, the Vong operatives scout the Galaxy to aid the upcoming invasion. While visiting the circus and doing the recruitment drive, the PCs stumble on the Vong’s true motives.
With the help of your players, you can determine the story’s angle. Perhaps your players want to be the Inquisitors hunting down Force sensitives. Perhaps they want to be the undercover Vong operatives who have to neutralize those darn Jedi who learned too much for their own good. Maybe the players want to be the circus performers protecting their families from the Sith and Jedi trying to snatch the children and break up the families.
Next, it’s time to brainstorm set pieces. When George Lucas plans his movies, he uses this concept: design a series of locales with an idea of really cool things that happen there. Then, design the story to integrate these cool locations. One day, George might have been eating at Arby’s when he thought how cool it would be to have a fight on flat-bed like vehicles hovering above a pit where a hungry monster reaches out, pulling victims into its gullet. He may have been mowing the lawn when he thought how neat it would be to see a high speed chase through the airspeeder lanes above Coruscant, with characters leaping from vehicle to vehicle.
Those two examples are set pieces. We haven’t yet figured out how they fit the story. We only have a sense of location and some neat special effects. Get the idea?
But how do you come up with set pieces? Think about the elements of your story. Then think what cool stuff could happen. The circus setting includes the chance to battle some cool beasts. Between the cages, big top and transports there are plenty of interesting locations for eye-poppingly groovy fights. Plus, the circus travels the Galaxy, so the campaign can include multiple unique star systems. There’s also the possibility of space combat as the circus leaves or arrives at a system.
With the Force sensitive circus example, let’s brainstorm various set pieces. Make them as varied as possible. Don’t come up with all cool lightsaber fights or giant monster battles. Keep in mind, this is Star Wars, and that means space battles. Come up with at least one starfighter/vehicle battle/chase. Don’t whine. It’s part of what makes Star WarsStar Wars.
Let’s do some brainstorming.
I’m thinking of old time circus trains, like the one from the start of Indiana Jones and the Last Crusade. How about a chase on top of a circus transport convoy as the circus vehicles move through a planet’s atmosphere? Various beasts reach through the bars (the hull slides away so the crowds can get a peak at the beasts and consequentially want to attend the show) to snag the characters running on the roof.
I’m thinking of a clown car, a tiny automobile which impossibly spews out a hundred clowns. We could play on that concept by having the PCs think they’re about to fight a single small circus starship… but a hundred tiny ships impossibly pop out of the circus vehicle. Oops.
Can these set pieces be used in any era? Yes. Do I have any idea how these encounters fit the story? I don’t even know what story I’m telling yet!
By taking canon and altering a single element and creating a what-if hypothetical situation, you can analyze the effect of the variable on the era. Then, take this unique idea to your friends and run it by them. From their reaction, develop the angle you’re going to take. Finally, create a multitude of set pieces that can be used to craft the adventure.
Some people love the concept of an Alternate Universe, especially GM Chris from the Order 66 Podcast at d20radio.com. He wondered what would happen if Anakin Skywalker let Mace Windu slay Palpatine in the middle of Episode 3. According to Chris’s logic, the war quickly ends. Anakin grows resentful of the Jedi, especially Mace’s decision to exact justice without an arrest. Anakin resigns from the Jedi Order and raises Luke and Leia with Padme on Naboo. He becomes increasingly bitter, bad-mouths the Jedi and insists he train the children himself. Padme secretly takes the kids to the Jedi Temple, where they are accepted. Anakin blows a gasket and leaves Padme. He dies as a lonely bitter moisture farmer on Tattooine. Padme passes away soon after. Having lost his parents, Master Luke Skywalker seems to have slain a Jedi librarian, stolen a Sith holocron and vanished. When he shows up in the Outer Rim on a random security recording ten years later, the PCs are called in by Jedi Master Leia Skywalker to find her brother. Because there is a chance Luke has gone Sith, everything needs to be kept hush-hush, so the Senate doesn’t flip its lid.
Wow. What a cool story, and it all unravels from altering the single variable of Anakin allowing Mace to execute Palpatine.
Like many folks, I wish the prequels had been better. My ultimate prequel dream without altering too much of the story would involve Padme turning out to be Darth Sidious’s Sith Master. Palpatine and Padme both manipulate Anakin (what better position to be in to manipulate someone than to marry him), but Palpatine ultimately sets up Anakin to slay Padme.
Other GMs cling to canon and refuse to put the heroes in a situation where they could alter the course of accepted events. These GMs usually refuse to allow the heroes to rub elbows with legendary characters. Heaven forbid they somehow manage to kill Boba Fett. Empire Strikes Back and Return of the Jedi wouldn’t be able to happen as written without the Fett!
I believe that by deciding to enter the Star Wars universe with your own stories and your friends’ unique characters, you have already made the decision to create a ripple in the water. You are contributing to the officially recognized, fan-made expanded universe. This is nothing to fear. This is what we always wanted… to be a part of the Star Wars universe. Why would we want to play a Star Wars rpg if we couldn’t make a difference in the fate of the Galaxy? Dream big. Don’t be afraid to mess with canon. Some of the most exciting ideas come from poking at a variable and studying the ripple effect.
The purpose of this experiment is to create a gripping take on the Star Wars stories and to give your friends’ PCs the chance to do great deeds and make a difference in the fate of the Galaxy…
Call it what you want. It sounds like an alternate universe to me.
